> Introduction
Pier Paolo Pasolini, from "Poesia in forma di rosa"
After the Rooms project, which involved anomalous and unprecedented research on the word, on an orality that is deeply felt and always hovering between aphasic renunciation on the one hand (Twin Rooms) and a taste for the rhythmics of the text on the other (Genet's Splendid's), it is almost an obligatory step to turn to that "poet of things" Pier Paolo Pasolini... to his caustic, critical glance at the contemporary. And then Motus is duty bound to question itself, through theatre, on the current political situation. Pasolini's reflections on consumerist society and political life in general are now taking on an overwhelming, almost prophetic topicality.
We have decided to give voice to his voice, to once more host his cries of alarm, amplifying them with a mixture of means that were perhaps inconceivable in the days of his theatre experiences.
